Pandit Jasraj
Born in 1930, into a family that bears a deep musical tradition; which produced four generations of outstanding musicians under the Mewati Gharana, Late Pandit Jasraj ji was a voice that had been h
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Raga Bageshri
Raga Bageshri (also spelled Bageshree or Bageshri) is one of the most beloved and evocative ragas in Hindustani classical music. It is a raga of deep emotion — introspective, romantic, and qu
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Vasumathi Badrinathan
As a vocalist of Indian classical Carnatic music, Vasumathi combines a fine blend of tradition and creativity in her singing style. Coming from a family with an intense musical background, Vasumathi was initiated into this art at a very young age.
Bharat Ratna, Late Pandit Bhimsen Joshi
Pt Bhimsen Joshi, who passed away in Pune on 24 January 2011, was a musician no one could emulate. For those fortunate ones who heard him sing live, it was an experience that would remain with them. Pt Bhimsen Joshi, who passed away in Pune on 24 January 2011, was a musician no one could emulate. For those fortunate ones who heard him sing live, it was an experience that would remain with them.
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Ustad F. Wasifuddin Dagar
Wasifuddin is carrying on the DAGARVANI tradition in solo. His rendition of dhrupad is a unique blend of his uncle’s training, his father’s quality of voice and temperament, his own personality and his in-depth knowledge of the characteristic styles of his elders!!.
The Time Theory of Ragas
Indian classical music is one of the most intricate and spiritually rich musical traditions in the world. Unlike many global music systems, where scales or modes exist independently of context, Hindustani classical music embeds its melodic forms — ragas — within the tapestry of time, season, and emotion. Central to this is the remarkable concept of Samay Siddhant, or the Time Theory of Ragas.
